Trudi Lynn Smith and Kate Hennessy, Fugitive Paleontology Workbench (3) (2024) Framed Artwork
Artist: Trudi Lynn Smith and Kate Hennessy
Title: Fugitive Paleontology Workbench (3) (2024)
Medium: Archival pigment print in a white wood frame with AR70 glass.
Finished Size: 39 × 22 ½”
Edition: 3 + AP
$3000
Artist Bios
Trudi Lynn Smith is Adjunct Associate Professor in the School of Environmental Studies at the University of Victoria (Canada). Trudi specializes in interdisciplinary research-creation and collaboration, working with human and more-than-human communities at the intersection of experimental art, ethnography, and political ecology. Her practice is grounded in a concern with the embodiments, relationships, techniques, and ethics of image-making and explorations of impermanence and uncertainty in photography.
Kate Hennessy is Associate Professor specializing in Media at Simon Fraser University’s School of Interactive Arts and Technology (Canada). As an anthropologist of media and the director of the Making Culture Lab, an interdisciplinary research-creation and production studio, her work uses collaborative, feminist, and decolonial methodologies to explore the impacts of new memory infrastructures and cultural practices of media, museums, and archives. She values working across disciplinary boundaries in her practice, including expression in video, photography, digital fabrication, and virtual exhibition.
Together, they form the art and curatorial collective Pairatext.
https://www.smithhennessystudio.com/
Documentation Photos by Rachel Topham Photography.
Artist: Trudi Lynn Smith and Kate Hennessy
Title: Fugitive Paleontology Workbench (3) (2024)
Medium: Archival pigment print in a white wood frame with AR70 glass.
Finished Size: 39 × 22 ½”
Edition: 3 + AP
$3000
Artist Bios
Trudi Lynn Smith is Adjunct Associate Professor in the School of Environmental Studies at the University of Victoria (Canada). Trudi specializes in interdisciplinary research-creation and collaboration, working with human and more-than-human communities at the intersection of experimental art, ethnography, and political ecology. Her practice is grounded in a concern with the embodiments, relationships, techniques, and ethics of image-making and explorations of impermanence and uncertainty in photography.
Kate Hennessy is Associate Professor specializing in Media at Simon Fraser University’s School of Interactive Arts and Technology (Canada). As an anthropologist of media and the director of the Making Culture Lab, an interdisciplinary research-creation and production studio, her work uses collaborative, feminist, and decolonial methodologies to explore the impacts of new memory infrastructures and cultural practices of media, museums, and archives. She values working across disciplinary boundaries in her practice, including expression in video, photography, digital fabrication, and virtual exhibition.
Together, they form the art and curatorial collective Pairatext.
https://www.smithhennessystudio.com/
Documentation Photos by Rachel Topham Photography.
Artist: Trudi Lynn Smith and Kate Hennessy
Title: Fugitive Paleontology Workbench (3) (2024)
Medium: Archival pigment print in a white wood frame with AR70 glass.
Finished Size: 39 × 22 ½”
Edition: 3 + AP
$3000
Artist Bios
Trudi Lynn Smith is Adjunct Associate Professor in the School of Environmental Studies at the University of Victoria (Canada). Trudi specializes in interdisciplinary research-creation and collaboration, working with human and more-than-human communities at the intersection of experimental art, ethnography, and political ecology. Her practice is grounded in a concern with the embodiments, relationships, techniques, and ethics of image-making and explorations of impermanence and uncertainty in photography.
Kate Hennessy is Associate Professor specializing in Media at Simon Fraser University’s School of Interactive Arts and Technology (Canada). As an anthropologist of media and the director of the Making Culture Lab, an interdisciplinary research-creation and production studio, her work uses collaborative, feminist, and decolonial methodologies to explore the impacts of new memory infrastructures and cultural practices of media, museums, and archives. She values working across disciplinary boundaries in her practice, including expression in video, photography, digital fabrication, and virtual exhibition.
Together, they form the art and curatorial collective Pairatext.
https://www.smithhennessystudio.com/
Documentation Photos by Rachel Topham Photography.